Hello Zeropolis and welcome to Brutal Resonance. Let’s start off the basics. Whomst is in the band, what do they do, and what’s your favorite flavor of ice cream?

Gigi: Hey, thanks for having us! I’m on vocals and manage the sampler during shows. As for ice cream, it's vanilla for me. But without the cone!

Coco: And I’m the guitar guy who nerds out with his pedalboard. I actually quite like ice cream with no added flavouring. There’s this frozen yoghurt flavour in the US that I love. It’s plain and sour, kinda like Greek yoghurt, and is called "Euro Tart”, which sounds very funny to the British ear and describes me quite well, I think! (laughs)

Tell me about how you two originally met. I heard it was in a local DIY punk scene.

Coco: We first met at a music festival in Paris through our friend Gogo, from Teenage Menopause Records, and quickly realised that we had tons of mutual friends. Since we were both based in London, we started hanging out at gigs and parties, which eventually led to the birth of Zeropolis.


2018 saw the birth of Zeropolis. Where does the name come from?

Gigi: Naming the band took a minute! We were tossing ideas around at the pub after rehearsal when “Zeropolis” came up. It’s actually a book title by French philosopher Bruce Begout that I had read a few years before. The book’s a reflection on Las Vegas, which is described as a "non-city”; a modern, artificial town and giant supermarket in the middle of the Mojave desert, both dreamy and nightmarish all at once. He mentions it being "distinguished by nothingness”, which kind of resonated with us!

Zeropolis plays a mix of EBM and post-punk. From DIY to punk, how did you gather interest in electronic music?

Gigi: I think electronic music and DIY punk are very much intertwined, and have always been part of our musical DNA. Punk kind of shaped electronic music through bands like New Order, Suicide, Kraftwerk or Throbbing Gristle, and making music by yourself with a bunch of machines or a computer is pure DIY! Some of the craziest live acts I saw recently were electronic artists. I remember a concert of Holiday Inn in a South London record store where the frontman got butt-naked and sung against the shop window, scaring everyone outside. Can’t be more punk than that!

Tell me about your original practice location. The garden shed in a warehouse up for demolition. Was it safe? 

Coco: Yeah, that was quite something! A friend was living as a live-in guardian in this East London warehouse, which is pretty common here. Owners of vacant properties will let people stay in their building for much cheaper than market rent in exchange for security. They’ll sell it as something that provides social value when it's textbook precarious housing! These guardians aren’t bound by tenancies, don’t enjoy exclusive possession of the building, don’t have heating and live under the constant threat of eviction.

Anyway, she let us use the space, so we spent weeks building this massive garden shed in the middle. We soundproofed it with plasterboard and acoustic foam but in hindsight it was a bit of a hack job, I think everyone could hear us play miles around. (laughs) It was pretty safe if not for rare electric shocks, but obviously what was bound to happen happened and the building was demolished on short notice to make room for new flats. The owners tried to bill us for the shed, even though the whole place was being razed! Madness.


You cover a wide variety of social topics. How do you tackle these themes?

Gigi: Social commentary is core to punk rock; any band claiming to be “apolitical” raises an eyebrow for me! But we’re also conscious that songs are just songs and might not spark any change. The main thing is to avoid empty virtue signalling, and focus instead on subjects we've personally encountered; like navigating city life, our work environment or social scenes. We want to give a snapshot of the world from our perspective!

Your recent single ‘Social Jet Lag’ has recently launched. What is that about? 

Gigi: 'Social Jet Lag' is about the yearning that some people feel towards social mobility, to the extent that it becomes all-consuming. The lyrics highlight the irony of people striving to fit into groups that might ultimately reject or belittle them. I’ve seen it happen around me and always felt these persons are forsaking their true identity, and will always feel dissatisfied as a result.

And you’ve a brand-new album “1000 Walls” coming up soon. When is it due out, and what can we expect from it?

Coco: It’s set for release some time in the new year. I think the songs are a little more accomplished than our first EP, when we were trying to find our sound. We’ve also been looking at a wider musical spectrum, from EBM to Oi!, and have experimented more in the studio, with the addition of piano, acoustic guitars or real percussion.


And what else does Zeropolis have in store for 2023 and beyond? Any upcoming shows, remixes, gigs, singles, or EPs?

Coco: Hopefully a music video very soon! We might also drop a bonus track that didn’t make the album cut on our label’s (AnalogueTrash) next sampler, so keep an eye out! And gig-wise, we’re gearing up to hopefully tour after the album release. Promoters: book us!

Lastly, I’d like to thank you for your time. The space below is free for you to mention anything I may have missed.  

Gigi: Thanks for having us, and fuck ice cream cones!
Zeropolis interview
October 15, 2023
Brutal Resonance

Zeropolis

Oct 2023
Hello Zeropolis and welcome to Brutal Resonance. Let’s start off the basics. Whomst is in the band, what do they do, and what’s your favorite flavor of ice cream?

Gigi: Hey, thanks for having us! I’m on vocals and manage the sampler during shows. As for ice cream, it's vanilla for me. But without the cone!

Coco: And I’m the guitar guy who nerds out with his pedalboard. I actually quite like ice cream with no added flavouring. There’s this frozen yoghurt flavour in the US that I love. It’s plain and sour, kinda like Greek yoghurt, and is called "Euro Tart”, which sounds very funny to the British ear and describes me quite well, I think! (laughs)

Tell me about how you two originally met. I heard it was in a local DIY punk scene.

Coco: We first met at a music festival in Paris through our friend Gogo, from Teenage Menopause Records, and quickly realised that we had tons of mutual friends. Since we were both based in London, we started hanging out at gigs and parties, which eventually led to the birth of Zeropolis.


2018 saw the birth of Zeropolis. Where does the name come from?

Gigi: Naming the band took a minute! We were tossing ideas around at the pub after rehearsal when “Zeropolis” came up. It’s actually a book title by French philosopher Bruce Begout that I had read a few years before. The book’s a reflection on Las Vegas, which is described as a "non-city”; a modern, artificial town and giant supermarket in the middle of the Mojave desert, both dreamy and nightmarish all at once. He mentions it being "distinguished by nothingness”, which kind of resonated with us!

Zeropolis plays a mix of EBM and post-punk. From DIY to punk, how did you gather interest in electronic music?

Gigi: I think electronic music and DIY punk are very much intertwined, and have always been part of our musical DNA. Punk kind of shaped electronic music through bands like New Order, Suicide, Kraftwerk or Throbbing Gristle, and making music by yourself with a bunch of machines or a computer is pure DIY! Some of the craziest live acts I saw recently were electronic artists. I remember a concert of Holiday Inn in a South London record store where the frontman got butt-naked and sung against the shop window, scaring everyone outside. Can’t be more punk than that!

Tell me about your original practice location. The garden shed in a warehouse up for demolition. Was it safe? 

Coco: Yeah, that was quite something! A friend was living as a live-in guardian in this East London warehouse, which is pretty common here. Owners of vacant properties will let people stay in their building for much cheaper than market rent in exchange for security. They’ll sell it as something that provides social value when it's textbook precarious housing! These guardians aren’t bound by tenancies, don’t enjoy exclusive possession of the building, don’t have heating and live under the constant threat of eviction.

Anyway, she let us use the space, so we spent weeks building this massive garden shed in the middle. We soundproofed it with plasterboard and acoustic foam but in hindsight it was a bit of a hack job, I think everyone could hear us play miles around. (laughs) It was pretty safe if not for rare electric shocks, but obviously what was bound to happen happened and the building was demolished on short notice to make room for new flats. The owners tried to bill us for the shed, even though the whole place was being razed! Madness.


You cover a wide variety of social topics. How do you tackle these themes?

Gigi: Social commentary is core to punk rock; any band claiming to be “apolitical” raises an eyebrow for me! But we’re also conscious that songs are just songs and might not spark any change. The main thing is to avoid empty virtue signalling, and focus instead on subjects we've personally encountered; like navigating city life, our work environment or social scenes. We want to give a snapshot of the world from our perspective!

Your recent single ‘Social Jet Lag’ has recently launched. What is that about? 

Gigi: 'Social Jet Lag' is about the yearning that some people feel towards social mobility, to the extent that it becomes all-consuming. The lyrics highlight the irony of people striving to fit into groups that might ultimately reject or belittle them. I’ve seen it happen around me and always felt these persons are forsaking their true identity, and will always feel dissatisfied as a result.

And you’ve a brand-new album “1000 Walls” coming up soon. When is it due out, and what can we expect from it?

Coco: It’s set for release some time in the new year. I think the songs are a little more accomplished than our first EP, when we were trying to find our sound. We’ve also been looking at a wider musical spectrum, from EBM to Oi!, and have experimented more in the studio, with the addition of piano, acoustic guitars or real percussion.


And what else does Zeropolis have in store for 2023 and beyond? Any upcoming shows, remixes, gigs, singles, or EPs?

Coco: Hopefully a music video very soon! We might also drop a bonus track that didn’t make the album cut on our label’s (AnalogueTrash) next sampler, so keep an eye out! And gig-wise, we’re gearing up to hopefully tour after the album release. Promoters: book us!

Lastly, I’d like to thank you for your time. The space below is free for you to mention anything I may have missed.  

Gigi: Thanks for having us, and fuck ice cream cones!
Oct 15 2023

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

Share this interview

Facebook
Twitter
Google+
0
Shares

Popular interviews

Psyclon Nine

Interview, Mar 24 2017

Night Runner

Interview, Oct 13 2016

Testube

Interview, Apr 02 2022

Kite

Interview, Feb 10 2017

God Destruction

Interview, May 17 2016

Related articles

Black Heart - 'All Is Lost'

Review, Sep 22 2016

Death in Ecstasy - 'Chains'

Review, May 27 2013

Teraton - 'Hullabaloo'

Review, Sep 25 2022

Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

© Brutal Resonance 2009-2016
Designed by and developed by Head of Mímir 2016