The Last Conflict Dark Electro, Industrial Dolls of Pain With a promotional video that shows a Skyline on Fire, a title that suggests a war to end all wars, and a concept that loosely resembles a futuristic world, it's safe to make an assumption - Dolls of Pain are back, and they mean business. The earlier releases (in particular, 2007's "Slavehunter") were laden with Dark Electro of the highest order, competing with the occasional Trance-like Arp, to create a sound unique enough to make DoP an act worth anyone's time. Like A7ie, this French act has undergone a recent change in aesthetic, and the fetish themes that we embraced on "Slavehunter" and "Cybersex" are gone. "The Last Conflict" continues where the Strange Kiss EP left off, and mixes Guitars into the Dolls of Pain sound. Maybe to show that there's more ideas in the pot, or maybe just to further their career? Who knows, but one thing is for sure - as promotion and interest goes, this album has done a good job in advertising itself. "The Beginning of the End" - it's the title of the first track on here, but also a sign of times to come. It's just full of Shredding Guitars, war-like sounds, and the clever use of Electronics just makes it sound like you're standing in Manhattan, Dubai, Toronto or Beijing, watching a battle being fought in the skies at night. See, Dolls of Pain are to me an act that manage to use their imagery, song titles and themes to make the music much more innately interesting than you'd expect from a typical Dark Electro act. You could listen to any of their albums and find a radically different approach to music without breaking too much of a sweat. Guitars may be one of the main elements to the new Dolls of Pain sound, but great care has also been taken to ensure that older fans aren't pushed away from the evolution. "Strange Kiss" is familiar to some from the EP of the same name (released prior to this album), and like quite a few tracks on here ("Hurt Me", "Like an Ass Bitch"), the song titles hint at the style that this band is previously known for. Ultimately, this album is at a place where the sound has been comfortably established, and Dolls of Pain are at a place where they can relax and take great care to know that their next offering doesn't need to prove anything. If you're looking for a stand out track to persuade you to invest in this album, I recommend looking at the intro "The Beginning of the End", "Strange Kiss", "Hurt Me" (which has female accompanying vocals), and my personal favourite "Stairs of Glory". A heavy release, which is strong from start to finish, and has some great club anthems on it. I'm not sure how to change your mind about Dolls of Pain if you previously didn't like them, except to stress that this is a completely different sound, and it's far more evolved and intelligent than most of the meandering detritus you can see floating around these days. 350
Brutal Resonance

Dolls of Pain - The Last Conflict

With a promotional video that shows a Skyline on Fire, a title that suggests a war to end all wars, and a concept that loosely resembles a futuristic world, it's safe to make an assumption - Dolls of Pain are back, and they mean business.

The earlier releases (in particular, 2007's "Slavehunter") were laden with Dark Electro of the highest order, competing with the occasional Trance-like Arp, to create a sound unique enough to make DoP an act worth anyone's time.

Like A7ie, this French act has undergone a recent change in aesthetic, and the fetish themes that we embraced on "Slavehunter" and "Cybersex" are gone. "The Last Conflict" continues where the Strange Kiss EP left off, and mixes Guitars into the Dolls of Pain sound. Maybe to show that there's more ideas in the pot, or maybe just to further their career?
Who knows, but one thing is for sure - as promotion and interest goes, this album has done a good job in advertising itself.

"The Beginning of the End" - it's the title of the first track on here, but also a sign of times to come. It's just full of Shredding Guitars, war-like sounds, and the clever use of Electronics just makes it sound like you're standing in Manhattan, Dubai, Toronto or Beijing, watching a battle being fought in the skies at night.

See, Dolls of Pain are to me an act that manage to use their imagery, song titles and themes to make the music much more innately interesting than you'd expect from a typical Dark Electro act. You could listen to any of their albums and find a radically different approach to music without breaking too much of a sweat.

Guitars may be one of the main elements to the new Dolls of Pain sound, but great care has also been taken to ensure that older fans aren't pushed away from the evolution. "Strange Kiss" is familiar to some from the EP of the same name (released prior to this album), and like quite a few tracks on here ("Hurt Me", "Like an Ass Bitch"), the song titles hint at the style that this band is previously known for.

Ultimately, this album is at a place where the sound has been comfortably established, and Dolls of Pain are at a place where they can relax and take great care to know that their next offering doesn't need to prove anything.

If you're looking for a stand out track to persuade you to invest in this album, I recommend looking at the intro "The Beginning of the End", "Strange Kiss", "Hurt Me" (which has female accompanying vocals), and my personal favourite "Stairs of Glory".

A heavy release, which is strong from start to finish, and has some great club anthems on it. I'm not sure how to change your mind about Dolls of Pain if you previously didn't like them, except to stress that this is a completely different sound, and it's far more evolved and intelligent than most of the meandering detritus you can see floating around these days.
Jul 18 2011

Nick Quarm

info@brutalresonance.com
Writer and contributor on Brutal Resonance

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Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

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