Heliotrope Synthpop Backlash The album 'Heliotrope' is the Swedish group Backlash's second full-length album. The first one, 'Impetus', were released 2001. During the time in between the two albums the group took the time to change singer, from the female voice of Malin Andersson to this male voice, Erik Thorstensson. When I personally prefer a female voice over a male voice in the matter of electro pop, this became a loss by the exchange. The album is often calm and dreary, while some parts are more pop, but not in the sense that it is trolling synthpop, it's more melancholy electro pop with swinging synth loops. It never comes up to that expected height, the beat never becomes that expected danceable beat. 'Heliotrope' is not an album I would go and buy to my collection, because there already exists albums with De/Vision, Depeche Mode, Elegant Machinery and Mobile Homes - Hurt. The fact is that this sounds like a mix of those groups, with some modern sounds added and drearier, more calm and more melancholy. Two less dreary tracks to mention are the first one "Lodestar" and track number nine "Splinter". Despite the dreariness it's good; sometimes really good. This review was made 2004 by Jenny Sjöström and has been published with her consent. It was initially published on Neurozine.com 250
Brutal Resonance

Backlash - Heliotrope

4.0
"Bad"
Spotify
Released 2004 by Memento Materia
The album 'Heliotrope' is the Swedish group Backlash's second full-length album. The first one, 'Impetus', were released 2001. During the time in between the two albums the group took the time to change singer, from the female voice of Malin Andersson to this male voice, Erik Thorstensson. When I personally prefer a female voice over a male voice in the matter of electro pop, this became a loss by the exchange.

The album is often calm and dreary, while some parts are more pop, but not in the sense that it is trolling synthpop, it's more melancholy electro pop with swinging synth loops. It never comes up to that expected height, the beat never becomes that expected danceable beat.

'Heliotrope' is not an album I would go and buy to my collection, because there already exists albums with De/Vision, Depeche Mode, Elegant Machinery and Mobile Homes - Hurt. The fact is that this sounds like a mix of those groups, with some modern sounds added and drearier, more calm and more melancholy. Two less dreary tracks to mention are the first one "Lodestar" and track number nine "Splinter". Despite the dreariness it's good; sometimes really good.

This review was made 2004 by Jenny Sjöström and has been published with her consent. It was initially published on Neurozine.com
Jan 01 2004

Jenny Sjöström

info@brutalresonance.com
Writer and contributor on Brutal Resonance

Share this review

Facebook
Twitter
Google+
8
Shares

Buy this release

We don't have any stores registered for this release. Click here to search on Google

Related articles

Neoslave - 'Autoviolator'

Review, Apr 19 2019

M.O.D. - 'Broken Machinery'

Review, Dec 28 2015

UCNX - 'Generation Damaged'

Review, Nov 10 2011

IMATEM

Interview, Jun 06 2009

Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

© Brutal Resonance 2009-2016
Designed by and developed by Head of Mímir 2016