Hello Layla and welcome to Brutal Resonance! As always, for newcomers to the site, I like to start off with this question: what are three of your favorite albums of all time and why?
Layla: That’s a good question. I don’t know, Haha. I have always had a hard time classifying things. Perhaps because I enjoy many things for their own specific reasons. I can name three of my favorite Cure albums, picking one is difficult however the first album that comes to mind is, “Pornography". I love that album because of its lush soundscapes, the reverb laden drums and the way it seems to just envelop you. Also, because it harkens back to a time when I was just discovering the music that moved me. I could listen to every song on that album on repeat and never tire of it.
Tones on Tail is another band I love. I remember the first time I heard "Burning Skies", I was overcome with emotion. The melancholic howl of the ebow was/is immaculate. “Everything!” is great. I know the first appearance of ‘Burning Skies’ was also the name of the first EP but “Everything!“ has more songs and is a better indicator of their work. The use of dissonance as a key factor in the songwriting is brilliant.
My third selection has to be Sex Gang Children, “The Singles 1982-1984” because it was the first release I purchased by them. Much like my love for The Cure there isn’t a song I don’t love. Although, I stopped buying albums from The Cure after “Wish” with the exception of “Join the Dots: B Sides and Rarities 1978-2001 (The Fiction Years)”. I didn’t like “Mood Swings” so I stopped buying their music. I wanted to spare any disappointment because I loved so much of their earlier works. Alternately, I have never been dissatisfied with any of Sex Gang Children’s work. I enjoy his voice and the instrumentation equally. I was so into them in high school that I spray painted their band name on my wall. My parents weren’t pleased but they let it stay.
Tell me why and when you decided to form Licorice Chamber.
Layla: It began with a desire to write music again. With Strap On Halo being inactive and the pandemic running rampant, I fell into a depression. I had become accustomed to performing regularly and had spent 25-40 hours a week working on music when suddenly it came to a stop. At first it was a relief but then it turned into anger.
It took a dream to realize what was going on inside my head. In my dream two of my lifelong best friends, myself and a baby were driving when suddenly the highway ended and we drove off the edge to our deaths. The dream continued with us waking up in the afterlife, the afterlife being a train with other recently deceased traveling to an unknown destination. All four of us were there but oddly the baby had not regained consciousness. One of the passengers handed me a newspaper and as I tried to wrap my head around what was happening, I read we burned to death in a fiery blaze. Days had passed in between our death and sudden appearance on this train. I was mad with grief of the life I had yet to live and all I could think of was that I might never sing again.
Was there singing in the afterlife and would it still feel the same? When I woke, I could still taste the feeling of falling. I realized soon after that I needed to start writing music again for my own sanity. I needed to sing! It was at that point I decided to write my first solo album and where the title of my EP came from.
Where does the name Licorice Chamber stem from? Does it have more of a personal meaning to you?

You are known for fronting goth / deathrock band Strap On Halo. However, the project is currently on hiatus. Is there any major reason as to why Strap On Halo has paused?
Many fans might be expecting something similar to Strap On Halo with your new release. However, I doubt that’s the case. How does Licorice Chamber differentiate in both sound and voice from Strap On Halo?

Your lead single from your debut EP ‘This Love is Dark’ came out in December of 2021 and caught the scene abuzz. What is ‘This Love is Dark’ about and why did you choose it to lead the charge for “The Taste of Falling”?
Michel Rowland contributed guitars to ‘As the World Breathes’, ‘This Love is Dark’, and ‘Just Like the Horror Movies’ while Blair Wotton played guitars on ‘It’s an Illusion’. What did these musicians bring to those songs that you otherwise could not?
Lee Meadows, AKA DJ BatBoy Slim, did a remix for ‘Codename:Lola’. How did he change your original song and what did you think of it?
Following this EP, what can we expect from you in 2022? Are you planning on releasing a full-length album? Or do you have other things in the works?
Lastly, I’d like to thank you for your time. I wish you the best of luck and leave the space below open for you to mention anything I may have missed. Cheers!
Upcoming Events (April):
Club Requiem Livestream: 20 April 2022
Ahead of Licorice Chamber’s live debut, Layla will also be the MC for Club Requiem’s ‘Tribute to Angels of Liberty & Christian Death’ livestream on Wednesday 20 April, along with DJs Xiola (US), Marlen Moisidoi (Germany), Slavezero (US), and Telezart (Sweden).
Event page: https://www.facebook.com/events/263704485881766
Live at Seattle’s Seagaze Festival: 30 April 2022
Licorice Chamber (Layla joined by Marc Jones from Strap On Halo) make their live debut at Seattle’s Central Saloon on Saturday 30th April, on the last night of Seagaze Festival – a four-day shoegaze, post-punk and psych rock event over two weekends (22-23 and 29-30 April).

Steven Gullotta
info@brutalresonance.comI've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.
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