
Discussing Cold Waves Fest Roots
Ever since the passing of industrial and metal legend Jamie Duffy, Cold Waves music festival has taken sprite to honor both his passing and his memory. Focusing on a fun and artistic way to prevent suicide and help out those in need, founders Jason Novak and David Schock have been running the festival with full hearts. We got a chance to talk with them regarding the history of the festival in its regard to Jamie Duffy, as well as talk of the bands performing this year.
So, let's get straight into it. Cold Waves was originally formed after the passing of the much celebrated Jamie Duffy. Tell us a little bit about the man and how you guys got to know him.
Jason - "The man Jamie Duffy was my partner in musical crime, a bandmate since 1994. He joined Acumen shortly after we found our sound and his first show with us was opening for KMFDM after we had struggled for years playing shitty local bars! We went on to produce the albums of all our different projects, plus wrote and produced for Chemlab, Pigface and others. He was a constant in everything I did musically from 1995 to 2011."
David - "On June 21st of 2012, Jamie Duffy passed away in the early morning hours, leaving behind a legacy much greater than his known contributions to the industrial and metal genres. Even if you didn't know Jamie Duffy, odds are that you still KNEW of Jamie Duffy and his work as he served as stage manager or as the soundman at many of your favorite Chicago venues such as the House of Blues, Cubby Bear, and Cabaret Metro amongst many others. He appeared on, mixed, produced, engineered, remixed or just plain influenced many of your favorite bands such as Chicago's very own Ministry, Sister Machine Gun, Chris Connelly, Sister Soleil, Method Man and more.
In addition to being a sound engineer and producer, Jamie was also well known across Industrial Music's landscape for his contributions as a member of the Coldwave/Metal hybrid band, Acumen Nation, and the Drum and Bass project, DJ? Acucrack not to mention his appearances on Pigface, Chemlab and Cyanotic albums.
Jamie Duffy's contribution to the Metal and Industrial genres crosses over from releases on major record labels such as Warner Bros. Records and RCA records, to large independents such as WaxTrax!Records, to the smaller independent labels such as Invisible, Underground Inc, CrackNation records, WTII Records, Fifth Column and Metropolis records so it is more than likely that Jamie Duffy has touched you in some way even if you didn't realize it at first.
I originally met Jamie just through the bar scene as we both loved the metal and industrial genres. We were the same age, wore backwards baseball hats (don’t judge, it was the time when everyone did that) and frankly were often mistaken for each other. We would share our music stories over whiskey shots and cold beers. Jamie would go onto to be a sound man for several of the shows I booked, and eventually had an album (Acumen Nation’s 'What the F**k') out on WTII Records."
In regards to personally working with Jamie, how involved was he in your lives? I understand he was very influential in the industrial and metal genres, but how did he directly influence the two of you?
Jason - "Continuing with that… He was an uncle to my kids, he came to our home for holidays, he was a brother. We played in three bands together, we traveled together for years and were creative partners for almost twenty. Jamie passing wasn’t just the loss of a local musician or bandmate, he was family."
When news reached to you regarding of Duffy's passing, how did you initially respond and how heavy did the news weigh on you?
I understand that Duffy's passing also sparked the idea of Cold Waves. When was it that the idea originally came forth, and when did you guys realize it was transforming from just an idea to a reality?
Jason - "When Jamie passed, so many performers and friends were profoundly affected. The idea of a memorial show sprang up soon after his services, a way for all the people who loved him to pay tribute, and then it became a way to help his mother pay for funeral expenses, etc. The event was a great success, sold out over 700 people and showcased performances by 14 bands. People immediately urged us to keep it going, people who loved the spirit of the event and saw it as a way to celebrate Jamie and Chicago and industrial music. Over the years it just keeps growing, and we hope to build it even further. "
Cold Waves isn't just about Duffy, however, it is also about suicide prevention. What goes on during the festival to shed light on suicide prevention?
Jason - "We work with a charity called Hope for the Day, a local organization that uses music and the arts to subvert depression and fight against suicide. They are very punk rock and metal oriented, focus on a much more relatable way for kids to reach out and find hope. This year we have set up a few things with our sponsors to raise even more money, like iconic Chicago burger joint Kuma's Corner donating $1 for every 'Burger of the Month' they sell, which is an homage to our Cold Waves headliner, Godflesh. We also have a great raffle set up with some customized art, music, even instruments to raise even more for them. We plan to have a kiosk set up for HFTD so they can spread their goals and offer people chances to volunteer their time and effort."
And, if you two had anything to say to anyone who had thoughts of suicide before or even now, what would you tell them?
Jason - "There is always a better tomorrow, hope on the horizon, reasons to believe in yourself that you may not even know exist, so reach out, share your thoughts and talk through the pain. Never give up and shut down, robbing yourself of great things right around the corner, and truly crushing those around you don’t even realize love you as much as they do. Life is hard, that’s part of the deal, but there is strength all around you, just have to reach for it."
I also have read in multiple places that Cold Waves has not only sent heart warming messages throughout the audience, but was able to help bond people together and sort of act as an entirely surreal experience Would you say that what Cold Waves is able to do is that of magic?
Now, let's talk a little bit about the bands playing at the festival. Who are coming to the festival and who are you most excited about seeing?
Jason - "All the bands are
high on my list, but I’ve been working on this Severed Heads thing
for a couple years, and after booking three shows for Front 242 last year
and handling all their logistics, this year it has been a pleasure
and a new learning experience to book and handle seven shows for these
guys, a personal labor of love! Also proud to have coaxed Paul Barker
to play his first show ever as Lead Into Gold, and since I toured
with Front Line Assembly three times over the years, it’s going to be
fun to host those guys properly at this event. Fucking Godflesh? Yes
please. And I gotta mention the night before, the CW kick off party
on Thursday where our original band with Jamie, Acumen Nation,
performs our first album 'Transmissions from Eville' in its
entirety. That’s going to be a real friends and family kind of
party, before we buckle down and bust ass for forty eight hours straight."
Featuring original Skinny Puppy member Bill Leeb, FRONT LINE ASSEMBLY promises classic material from their Wax Trax! days, along with LEAD INTO GOLD, the iconic Paul Barker (Ministry, Revolting Cocks) project and their debut performance. Often credited with inventing the dark ambient genre and an original member of SPK, Brian Williams brings LUSTMORD to the Chicago stage for the first time. No less music royalty when regarding the Chicago stage, Chris Connelly's new project COCKSURE promises to revive the true spirit of all things Revolting along with festival organizer Jason Novak.
Leaving last year's audience in awe made it easy for AUTHOR+PUNISHER to book a rare back-to-back festival appearance, literally the physical embodiment of industrial music, along with another technical innovator, Matt Schultz's long dormant LAB REPORT and his anti-tank-guitar. Keeping things mysterious and experimental, New York's dark prince of noise and Hospital Productions founder Dominick Furnow will bestow a rare PRURIENT performance upon us.
This year's link to the actual cold waves genre, RORSCHACH TEST promises a walk down Slipdisc memory lane, while electro fire starters HIGH-FUNCTIONING FLESH play the role of LA industrial critical darling this year. Already a household name synonymous with heavy music production in Chicago, Sanford Parker unveils TWO FROM THE EYE. Finally, Kansas City's HUMAN TRAFFIC kick things off with a new style of l'enfant terrible electro-grime punk.
I know Jason is probably most excited about seeing Severed Heads but I’m beyond excited to see Lustmord, who almost never performs live or when he does it’s only for very special occasions and also Pop Will Eat Itself, with whom I am a huge fan boy."
Has there ever been any one moment at any of the previous Cold Waves festivals that have really stuck out to either of you among any other moments?
Jason - "Watching Front 242 from the sound booth
last year was a treat. I saw them in 2011 at the Wax Trax
Retrospectacle and thought to myself, God I hope this isn’t the
last time I see them! And then to personally reach out, negotiate,
book and plan their whole trip to the US three years later was surreal.
Also watching a long-time friend of ours (Kevin Kacmerik) onstage
present Jamie’s mother Pat Duffy with an honorary brick from the
Rock n Roll Hall of Fame, engraved with Jamie’s name, was
incredibly special. And I gotta mention Burton Bell from Fear Factory
just hanging out all weekend during the second year, guesting
with three to four bands, pulling raffle winners on stage, and just being the
all around kickass dude that he is. People walk away from our
festival knowing they witnessed something special. It’s a good
feeling."
The other moment for me, which sent a smile to my face which lasted for days, was during Cold Waves II. I had invited my friend Burton C. Bell of Fear Factory to come and hang out all weekend and take the whole experience in. Well not only did he hang out all weekend but he helped to MC the event and jumped on stage with nearly every single one of the acts performing. But watching him jump onstage and sing Bile’s version of the J. Geils' classic “Love Stinks” was just too surreal for me: https://www.youtube.com/watch?v=5rkdqllGKwk
Where is the festival taking place this year and how have you improved it over last year's festival?
One of the more important questions, I would think, is where people can purchase a ticket for the festival and what other sort of vendors will be at the fest aside from the bands?
http://www.etix.com/ticket/p/5619526/cold-waves-iv-chicago-metrochicagoil
http://www.etix.com/ticket/p/6839126/cold-waves-iv-chicago-metrochicagoil
I also understand that Cold Waves is associated with a charity. What charity is it and how involved are they with the show?
Hope For The Day’s vision is to bring communities together in order to shed light on the unfortunate topics of depression and suicide. They wish to share the deeply personal connection creativity can have in fostering an environment of positive change to the suffering. They view art and music as a highway to the heart; two things that have allowed humanity to express our emotions for millennium. They wish to reduce suicide rates while inspiring and empowering those who need help to get help."
Outside of Cold Waves, are either of you involved in suicide prevention programs or anything of the like to help out the cause?
And is there anything else you wish to mention at this current time that I may not have mentioned regarding Cold Waves or Jamie Duffy?
David, you run WTII records. Playing a bit of catch up, what news can you bring us from the label? Has there been anything stirring around the nest that you can tell us about?
And, Jason, you are part of numerous projects and run Cracknation records. Same question I asked David; have you anything exciting that you can tell us about in regards to any, some, or all of your projects or record label?
Jason - "The label has quieted down a bit, but outside of funding and producing Cold Waves, I’ve focused on two newer projects, Czar and Cocksure. Czar is more of an experimental metal project with a couple albums out and who toured with Killing Joke a couple years back, gets all the heavy aggression out, while Cocksure (recently signed to Metropolis) is my project with Chris Connelly, allowing him to take care of some unfinished business channeling his old Revolting Cocks alter-ego. The Cracknation catalog is pretty vast and fun and I’m super proud of it, but harder and harder to run a functioning successful label these days, for sure."
And, lastly, I would like to thank you gentleman for your time and interest, and I hope Cold Waves kicks ass this year.
We also want to thank all of the musicians and DJ’s who performed at Coldwaves I-III and the ones who will be performing at CW IV and we also wanted to take this opportunity also to thank you, the fans, who made this one of the most memorable weekends of many of our lives that people look forward to all year. We hope to see all of you again at future Coldwave festivals and rest assured our work here is not done."

Steven Gullotta
info@brutalresonance.comI've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.
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