9th And The Last Life Pop, Synthpop Sadman '9th And The Last Life' is Swedish Sadman's second full-length album after their debut 'Cold In The State Of Me' from 2008. Both albums have been released by Memento Materia with some heavy experience of synthpop. ... and synthpop is what this is all about, with heavy on the pop part. Us Swedes have always been good at doing catchy pop and this is no exception. It's moody, melancholic and somehow cold and warm at the same time. Lars Fernström's voice is somewhat influenced by Dave Gahan and you can really tell it right in the first song "I Hide" in the chorus. Generally the album is not that far away from Depeche Mode's calm songs from their newly released albums, but also not at all. Overall, this is a very well produced album, even though it feels a bit plain after a couple of songs. Not to much variation is going on and even though most of the songs are memorable, they are not that different from each other. This is rather an album you listen all the way through, since it lacks those real hits that stands out and that you want to hear over and over again. 450
Brutal Resonance

Sadman - 9th And The Last Life

7.0
"Good"
Released 2010 by Memento Materia
'9th And The Last Life' is Swedish Sadman's second full-length album after their debut 'Cold In The State Of Me' from 2008. Both albums have been released by Memento Materia with some heavy experience of synthpop.

... and synthpop is what this is all about, with heavy on the pop part. Us Swedes have always been good at doing catchy pop and this is no exception. It's moody, melancholic and somehow cold and warm at the same time.

Lars Fernström's voice is somewhat influenced by Dave Gahan and you can really tell it right in the first song "I Hide" in the chorus. Generally the album is not that far away from Depeche Mode's calm songs from their newly released albums, but also not at all.

Overall, this is a very well produced album, even though it feels a bit plain after a couple of songs. Not to much variation is going on and even though most of the songs are memorable, they are not that different from each other. This is rather an album you listen all the way through, since it lacks those real hits that stands out and that you want to hear over and over again.
Mar 10 2010

Patrik Lindström

info@brutalresonance.com
Founder of Brutal Resonance in 2009, founder of Electroracle and founder of ex Promonetics. Used to write a whole lot for Brutal Resonance and have written over 500 reviews. Nowadays, mostly focusing on the website and paving way for our writers.

Share this review

Facebook
Twitter
Google+
16
Shares

Buy this release

We don't have any stores registered for this release. Click here to search on Google

Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

© Brutal Resonance 2009-2016
Designed by and developed by Head of Mímir 2016