Acts of Worship Industrial, Experimental Lavas Magmas Hurrah! Reinforcements arrived to industrial scene; and today it is Luis Gonzalez from Portland to add from his personal vision to the long row of different abstract creations. There is not much information about his activity that could be found, though from a little bit that I dig out from the internet, the cdr which I hold in my hands is his first full length album, accompanied by a visual effects dvdr. Before this he contributed few tapes here and there with editions of 30 to 60 pieces, maybe for the special ears only. Anyhow, here is the CD called 'Acts of Worship', and I will give it all my time in order to dissect its guts. What I can hear from the very beginning is a total abstractivism that flows with the every tune out of my speakers. A wide sonic soundscape is full of reach spectrum of accidental scratches, noises, metallic parts hitting each other etc. Electronic pulsations are everywhere, without any specific structure; sometimes it is really hard to navigate through those barricades of sound. There are few tracks which are harsher, having sharper layers that try to conquer the stage, like in "Repetitions Migrate". And there are few more cinematic, reminding of some sci-fi movie thriller, where a listener has to switch on all his wild imagination, take for example "Orgonopticon" and "Humanizing Inhumane". Droning loops intertwist into the vortexes of a local insanity, electronic pulsating waves fill the air, rising and fading, crossing the atmosphere and firing hidden messages up to the sky full of stars. Maybe Luis tries to worship an alien civilization that will receive his letter and will finally take control over stupid human civilization. To make a long story short, the album didn't affect me too much. The experiments with field recordings, machinery sounds and electronic ambience are not new and were already explored for a few decades. One has to bring something definitely different in order to glance between all those that try to. Regular and plain background music without any specific highs and lows, but I truly want to make a suggestion to Luis to continue his journey, because the potential to grow presents for sure. 350
Brutal Resonance

Lavas Magmas - Acts of Worship

6.0
"Alright"
Released 2012 by Existence Establishment
Hurrah! Reinforcements arrived to industrial scene; and today it is Luis Gonzalez from Portland to add from his personal vision to the long row of different abstract creations. There is not much information about his activity that could be found, though from a little bit that I dig out from the internet, the cdr which I hold in my hands is his first full length album, accompanied by a visual effects dvdr. Before this he contributed few tapes here and there with editions of 30 to 60 pieces, maybe for the special ears only. Anyhow, here is the CD called 'Acts of Worship', and I will give it all my time in order to dissect its guts.

What I can hear from the very beginning is a total abstractivism that flows with the every tune out of my speakers. A wide sonic soundscape is full of reach spectrum of accidental scratches, noises, metallic parts hitting each other etc. Electronic pulsations are everywhere, without any specific structure; sometimes it is really hard to navigate through those barricades of sound. There are few tracks which are harsher, having sharper layers that try to conquer the stage, like in "Repetitions Migrate". And there are few more cinematic, reminding of some sci-fi movie thriller, where a listener has to switch on all his wild imagination, take for example "Orgonopticon" and "Humanizing Inhumane". Droning loops intertwist into the vortexes of a local insanity, electronic pulsating waves fill the air, rising and fading, crossing the atmosphere and firing hidden messages up to the sky full of stars. Maybe Luis tries to worship an alien civilization that will receive his letter and will finally take control over stupid human civilization.

To make a long story short, the album didn't affect me too much. The experiments with field recordings, machinery sounds and electronic ambience are not new and were already explored for a few decades. One has to bring something definitely different in order to glance between all those that try to. Regular and plain background music without any specific highs and lows, but I truly want to make a suggestion to Luis to continue his journey, because the potential to grow presents for sure. Aug 13 2012

Andrew Dienes

info@brutalresonance.com
Writer and contributor on Brutal Resonance

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